ARE STYL PLUS THAT BAD?,TU FACE DEBUTS ON HYPERTEK!,OTHER STORIES

ARE STYL PLUS THAT BAD ?

A few years ago frontline galala/ragga artiste and member of the defunct pop group Plantashun Boyz,Blackface, was so pissed off with a negative review of his debut album by a hip hop magazine that he couldn't resist baring his mind in his own unique way:He tore the magazine to shreds right before the cameras in his video.I couldn't blame him at all.

It's usually very easy and tempting to sit cossy and write damning reviews of creative/artistic works,but we must always be mindful of the economic effects of such comments on the artist vis a vis the effort,time and resources that he/she must have expended in creating the work.It is even more pertinent to always bare in mind that one's own view may not necessarily represent others',therefore being privileged to have access of a mass medium should always be utilised with caution.I find very little justification in the extremely negative reviews of Styl Plus' latest album,Back and Better,by some writers,which tends to portray the work as sub-standard.

Out of curiousity I went out to search for and buy the CD.I was stunned.What I heard was by far better than most of the other CDs released into the market recently.From their first work,Olufunmi,Styl Plus chose a different and more difficult path to tread.They tried to blend the r&b vocal style with vintage techno (something only the Plantashun Boyz had dared to try) and they did it perfectly.Olufunmi was a runaway smash,but like all other first time hits,was always going to pose a problem for the group:How will they produce a bigger hit without sounding like olufunmi?

And that probably explains why the follow-up album did not create as much buzz,eventhough Iya Basira would have been a big big hit for any other group.Back and Better is a fine album ,and for me Four Years has already caught on.I would be surprised if any Naija teeny boppy fan does not go crazy over I Don Tire.I even think a massive US/European tour is overdue for the group,given the high-tech dance flavour in their music.

Someone also suggested that the group should leave Abuja for Lagos.Why ?I think the lagos scene is already over-saturated with hip hop/pop acts,even when there is an enormous market begging to be tapped in Abuja,Kaduna,Port Harcourt,Jos,Onitsha,etc.I discoverred recently that Faze is larger than life in the east,while the sengemenge duo are so massive in Uyo.I think it's in the interest of the industry for the market to expand into the other parts of the country.

To my friends in the entertainment press,I'm not saying you shouldn't criticise;just balance what you write,and don't entirely write off any work - no matter what your personal opinion.I remember many years ago in the 80s,there was a massive blockbusting hit in the country, Atomic Bomb by William Onyeabor(not too sure of the name really).To me then,just a cheap repetition of 1 or 2 lines of verse and bass for over 5 odd minutes;but it sold massively and was the street anthem all the same.Ditto for Anita Ward's Ring My Bell;we never heard from her again,but only few songs sold more copies!

TU FACE DEBUTS ON HYPERTEK

The much awaited new CD from Nigeria's top pop star,Tu Face Idibia has landed ! Only that this is just a mini,not the full album.It's just 4 tracks and remixes/instrumentals.No Kennis Music,no OJB as producer,the work is releasd on Tu's own Hypertek Entertainment label.

And that's the big factor in Tu Baba's success:Always ahead of his peers.When his colleaques in the plantation were still brooding over contractual issues with their label,Tu had moved on with Kennis.While Faze is still dilli-dallying with Akon,Tu has launched his own label.It is noteworthy that the sleave of the CD confirms that the much speculated collabo with R Kelly will be included in the full album - and that is the big deal.Tu Face's advance singles never truly represent the strenth of his album,so there's still some expectations and anxiety to come.Brace up 9ice!

ADIEU OLIVER,PA STEVE RHODES,SAMMY

These are indeed testy times for the music industry,and we can only continue to pray to God.Steve Rhodes,a doyen of Nigerian artistes passed on after living a very fulfilling life.Sammy Needle was a very young man,but he made his mark on the Nigerian music scene,even without releasing so many albums.

Oliver De Coque was a trail-blazer.He emerged at a time when the igbo highlife scene was dominated by the likes of the Oriental Brothers and Chief Osita Osadebe.Oliver introduced a cross-over flavour, and quickly won converts from the other ethnic groups in the country when he sang Identity.It remains the most popular igbo highlife song after Nico Mbarga's Sweet Mother.

May their souls rest in peace.