EASTER ,HIP HOP WORLD AWARDS,SUPER EAGLES.

HAPPY EASTER !

As a Christian, I'm humble enough to know and accept that Easter is the bedrock of my faith and therefore Love the essence of this life. Let me just say happy Easter to you all !

HIP HOP WORLD AWARDS: REFLECTIONS ON NAIJA MUSIC

D'Banj ruled the streets in 2008.
(Photo courtesy Hip Hop World)

I love music; and contemporary Nigerian pop music is no exception.In fact I have my own recorded material containing songs in afro-beat, galala and of course hip hop genre. I flow easily with this generation you know, and I must say that despite all the defects I'll definitely give kudos to everybody involved: the singers, producers (eventhough in most cases are no more than sound engineers),publishers (the magazine type that is, eg Hip Hop World),marketers, video producers,....and ehm ehm, well, the 'record companies' - oh sorry I mean labels.

Ayo Animashaun's Hip Hop World Awards has earned its place as the most respected industry award show today, and whenever it comes around, it sets the industry abuzz. This time around the organisers say they have deliberately excluded some songs from nomination because ot their not-so society-friendly lyrics, and this is supposed to be the magazine's own little contribution towards sanitising the industry.Good talk.

On the streets, 2009 was another exciting year, with so many dance hits to reckon with. Bigiano's Shayo, Sheyman & Dr Pat's I'm On Fire (aka Kondo Olopa !), J.Martin's Good or Bad ( aka Do Me pt. 2 ), Kelly Handsome's Maga Don Pay (aka Yahoozee pt. 2 )and the whole load of D'Banj's stuff all ensured that there was no dull moment. One of my personal favorites was Styl Plus' Four Years which unfortunately was thoroughly whipped by the 'critics' even before it got to the shelves.

From a creative point of view however and as usual, there were very few songs worthy of mention. 9ice's Gongo Aso ( which I still regard as an adulterated fuji song.....ha ha ha !) was definitely the year's best material. The other was Lord of Ajasa's Le Fenu So (also a fuji twist !). Frankly speaking, I couldn't see anything near those two.

The rap scene was particularly interesting, and not just because of Lord of Ajasa. Ruggedman, the self-appointed headmaster and inspector-general of the Nigerian rap scene met his nemesis in non other than his former buddy, Mode 9. Taken word for word, line by line, Ehen Pt 1 would sound like absolute child's play compared to the venom of Death Row.

On the positive side though, 2009 witnessed the release of one of the best rap albums yet in Nigeria - Naeto C's You Know My P. It was also the year of a new star MI. And yet another star in the making, Kel.

Afrobeat came alive with the release of the long awaited debut album by Seun Kuti, Many Things. It would appear though that the young lad still has many things to learn as far as his recording career is concerned.

Asa is doing the real branding job for Nigeria

Although D'Banj ruled the airwaves and the streets, the two most significant artistes of the year were Asa and Tuface. Asa in fact must be Nigeria's most popular artiste in Europe today - maybe with the possible exception of Femi Kuti. Her Jailer collection is absolutely awesome and has been doing the real branding business for Nigeria. I hope aunty Dora has been taking note !

Many have commented that Tuface's last album was weak. I agree. I also think the negative perception is essentially because he packed too many irrelevant and unnecesary songs into the album - a practice that has become commonplace in the hiphop era. Back in the day, our great artistes like Fela and Sonny Okosuns used to release magnificient 4-trackers, sometimes 6, and the market accepted the works, for essentially each song was memorable in it's own right.

These days most of our local hiphop cds come with 11 - 16 songs, most of which do nothing than bore the listener. I can count only very few that sustained a positive and consistent tempo throughout, and interestingly Tuface's first two albums are among these. Some artistes take it to really dramatic levels; eg Naeto C's rap album contains a pure and vintage highlife material ! Why waste money producing so many tracks when the market is only interested in one or two - or maybe four or five as in the case of Styl Plus' Olufunmi,P Square's Game Over or D'Banj's The Entertainer ?

That apart, Tuface's collaboration with R Kelly- one of the greatest r'n'b stars in the world- in Flex was quite a significant achievement which, if properly promoted should open the door for Nigerian acts to gain real international acceptance and fame. In any case the song is a very good one, and I dream of the day Mr Idibia will climb the stage with Kelly to perform it. Then we can truly say Naija hiphop/ r'n'b has arrived.

I hope I've not stirred too many controversies , for the real fun cometh with the Hip Hop Awards in a few weeks !

SUPER EAGLES: THE TRUTH ABOUT NIGERIAN FOOTBALL

John Mikel Obi is the only thing close to USA '94 quality in today's Super Eagles

When I noticed from their very first match in the World Cup qualifying series last year, that analysis of the Super Eagles' matches has been reduced to the single pedestrian exercise of highlighting the weaknesses - real and imaginary - of the coach, Amodu Shaibu, I knew the man was once again living on borrowed time.

Although the team still has not lost a game, the away draw to 'lowly' Mozambique in a weekend that saw rivals Tunisia win their own away fixture, would provide sufficient amunition for the carnivorous hawks whose appetite has only been wet by the recent sacking of Ladan Bosso in the Flying Eagles, to strike. And the cry has been loud and scathing ever since :'Nigeria is on the brink of missing the World Cup again'; 'Sack him'. And the replacement ? 'Bring Westerhoff', 'bring Siasia','bring foreign coach','bring.......'. All these coming after only the first of six round of matches !

Truly,I also share patriotic concerns about Nigeria's chances of qualifying for the World Cup. But I do not support any call for the sacking of the coach. For one, the man has proven more than sufficiently that he is as capable as anyone else of handling the National Team. And then everytime I remember the blatant 'suicide' that our Sports administrators committed in 2002 when they sacked the technical crew on the eve of the World Cup I catch instant cold. If the current administrators ever choose to walk that road again, posterity will be very harsh on them.

We must be honest with ourselves in analysing the current situation. Nigeria does not as at today have (or maybe have not discoverred) the quality of players she had between 2004 - 2006. At that time we had no less than 8 world class players, most of who could easily have won the African Footballer of the Year award on merit. Today we only have Mikel Obi to look up to. Maybe also I.K. Uche. Who else ?

Given this scenario, the key to success is to build a strong team spirit and make the squad function maximally as a unit, and I believe this is what the coach has been trying to do.With 5 rounds of matches to go, 2 of which will be against our main rivals Tunisia, the qualification ticket cannot be said to have been lost. The rest of us outside the coaching crew have the crucial patriotic role of motivating, not destabilising the players and technical crew.

I will advise the coaches to use the forthcoming grade A friendly matches to try out some new players in the major areas of weakness; namely, the playmaker, winger (right or left) and centre forward. I strongly agree with those who say Amodu should be more flexible in inviting players to the team.He should forget about the mediocrity of the local leaque and give some promising players a try. You never can tell.

THE TRUTH IS BITTER....

The low quality of the Nigerian National Team is a direct reflection of both the insipid local league where most young players with any sign of real talent are shipped out by the lucre-minded scouts to various obscure leaques abroad even before the fans and coaches discover them here, and the dubious system whereby glaringly overaged players are selected for the age-group teams,thereby giving us a false sense of the quality of talent at our disposal.

The earlier we start addressing these issues approrpriately, and stop hypocritical postures, the better for our football.